I’ve been scouring the web for music under CreativeCommons recently for the Common Sounds project, and I can’t help but notice that a lot of the independent sites out there are looking like refugees from the early 2000s.I’ve suggested that some of these folks check out GNU FM (licensed under GNU AGPLv3 or later) the software that’s used under the hood of the Libre.FM site, which is not pretty (sorry guys, but it’s not), but does provide a web media player using entirely free code. But it occurred to me after thinking about it a bit, that a tarted up instance of GNU MediaGoblin (also licensed under GNU AGPLv3 or later) might be more appropriate to their needs than GNU FM. It’s not pretty either, but it handles uploads, gallery displays, and playing of media files of all types using only free code.

One of the problems for these folks is that these days …

One does not simply ... code up some html and css and ftp it onto a webserver 

The bleeding edge of web development has moved a lot in the last decade or so, with HTML5 rendering browser plug-ins like Adobe Flash and Microsoft Sliverlight pretty much obsolete, mobile-friendly design influencing the style of websites (eg the ‘three vertical lines’ menu button), and a browser security arms race driven by software attack tools like the Great Cannon of China (no kidding, this is a thing) which have overwritten the concept of cyberwarfare from science fiction into reality.

Hobby websites set up for music distribution in more innocent times - and even some professional ones - are struggling to keep up. There is a confusing plethora of free code CMS (Content Management Systems) and web frameworks, written in a dizzying variety of different kinds of languages, and a person wanting to modernize their website has to somehow figure out which set of tools is right for the type and scale of site they want to run, and learn how to use them on the fly. No pressure :)

But I guess most of them know they will need to do some upgrade work sooner or later, to prevent their sites becomes unusable by modern browsers. For example, Mozilla Firefox and most of the other browser makers are gradually phasing out support for Adobe Flash because of its fundamentally broken security, not the mention all the spyware Adobe intentionally built-in (see my post on Adobe building the EME module for Mozilla Firefox). They have also flagged that at some point HTTPS will become basically compulsory, and a lot of the browser functions that allow things like streaming media or file downloads will not be possible from sites that don’t have an up-to-date and properly configured HTTPS certificate. The good news there is you can now get gratis (at no charge) HTTPS certificates from Let’s Encrypt. My friends who admin webservers tell me there’s a bit of a learning curve, but once you’ve grasped their automated certificate issuing system, it’s pretty much set and forget.

I don’t want to discourage anyone in any way from self-hosting, but musicians and DJs do have a few other options for uploading music and mixes under CreativeCommons licenses. For example, you could host the audio files on a site like Archive.org, and make a simple HTML/CSS homepage that links to the files on the remote host. This is the sort of thing a prettied up instance of GNU FM could be good for. You do have the option of uploading your music and mixes to a platform like SoundCloud or MixCloud, and linking to your account there from your homepage. There’s a good article on LiveSchool.net describing exactly how each of these platforms work, and laying out the pros and cons of hosting DJ mixes on each of them.

I’m still convinced though, despite the many open source corpses littering the road towards it (eg the various zombie products of the defunct Participatory Culture Foundation), that the best way to distribute CreativeCommons music (and other larger media files like films and games) is a P2P system like BitTorrent. I can imagine artists putting magnet links to their songs or albums on their homepages, webseeds on the webserver hosting that page (or some other server), and a Commons Tracker website that provides a search hub for music fans. I like this concept because it distributes the technical and financial cost of the storage and bandwidth that makes that media file distribution happen, so people sharing the media are giving something back in exchange for free non-commercial access to new cultural work. Figuring out how to strap this together is the goal of our proposed MediaFlood project.

Filed April 7th, 2017 under free culture, independent media, free software

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